For what it's worth, there is a large painting by Lempicka on display at the DeYoung Museum that has an eerily identical building as the backdrop for a glamorous portrait of a woman friend of the artist's. As metaphor, it was intended to suggest, deco-style, the apotheosis of the Modern Woman.
Agree wholeheartedly.
For what it's worth, there is a large painting by Lempicka on display at the DeYoung Museum that has an eerily identical building as the backdrop for a glamorous portrait of a woman friend of the artist's. As metaphor, it was intended to suggest, deco-style, the apotheosis of the Modern Woman.